Rema‘s rebelliousness and deep reverence for Afrobeats take center stage on his boundary-pushing sophomore album HEIS, stemming from his social media handle @heisrema and meaning the one in Greek. It reached No. 7 on Billboard‘s World Albums chart. Alté pioneer Boj delivers one of the season’s brightest LPs — while recruiting an international array of featured artists — on 12 Summers, which represents the dozen years he’s spent making music.
Tyla hops on her first song since releasing her eponymous debut album in March with Spinall’s “One Call” (also featuring Omah Lay), and it debuted at No. 12 on Billboard’s U.S. Afrobeats Songs chart this week (dated Aug. 3). And ODUMODUBLVCK flexes his chart success when he raps “22 weeks on the Billboard charts” on his braggadocious single “Not All That.”
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and find your new summer soundtrack with our Spotify playlist below.
Odeal, “Soh-Soh”
Odeal heats things up on “Soh-Soh,” the scintillating dancefloor highlight from his four-track EP Sunday At Zuri’s that’s influenced by Zuri Awela, an individual of Nigerian and South African descent he shouts out on X, and “represents parts of our Sunday at her beach house: noon (arrival), afternoon, evening, and night,” he wrote. While Odeal reminisces about last summer’s turnt vibes on “Soh-Soh,” he’s creating new memories this summer with a shorty he’s mesmerized by and willing to “spend one milli’ on” to win her heart. It’s impossible not to groove to the song’s sexy saxophone and crisp shakers – even Ciara can’t get enough of it.
Rema, “HEHEHE”
“Monday morning, talking about me while I’m making money,” Rema boasts before bursting into his maniacal, cartoonish laugh that’s at the heart of his “HEHEHE” single from HEIS. The 24-year-old star guffaws at his haters with mischievous staccato chords punctuating each “HE,” the only time Rema catches his breath from his hoarse flow. His self-confidence reaches a fever pitch when he asserts himself in Afrobeats’ upper echelon alongside Wizkid, Burna Boy and Davido and doubles down on his three-month-old X statement: “No more big three, there’s now a big four.” But given Rema’s track record, and his latest LP being heralded for breathing new life into Afrobeats, it’s not a far-fetched statement.
Tay Iwar, Le Mav & GOLD, “Rock Steady”
Five years after their first GOLD album, Tay Iwar and Le Mav (who are collectively known as GOLD) reunite on its glistening sequel EP GOLD II. On the highlight “Rock Steady,” Iwar muses about morning sex and his lover’s golden body, while Le Mav’s sultry production makes them want to linger in bed for just a little longer. But the tempo switch in the track’s final minute, where Iwar revs up the “These days, I’m feeling like I’ve been chosen” hook and Le Mav builds tension with the bridge’s piano chords before setting off the kaleidoscopic synth outro, ends “Rock Steady” on a highly spirited note.
Gabzy, JayO & Odeal, “Too Fine”
UK R&B/Afrobeats artists Gabzy, JayO and Odeal aren’t letting a girl that’s “Too Fine” out of their sights in their latest collaboration. The trio combines swoon-worthy melodies, soulful guitar licks and saccharine lyrics to not just take a girl home for the night but to make her their wife, with Gabzy, whose alter ego is Mr. Malone, claiming she could be “Mrs. Malone” in the chorus. It’s hard not to succumb to their individual, irresistible charm, and their Vevo DSCVR performance is further proof.
Boj & Sainté, “Koshi”
Boj taps fellow UK artist Sainté on the breezy opener “Koshi” from the former’s latest album 12 Summers. Tropical guitar melodies complement the DRB LasGidi member’s effortless swagger (“Rock best drip on legendary, fresh to death to cemetery,” he sings in the first verse), while Sainté raps about impressing a girl with the kind of money her previous man never had. But no amount of money or level of drip could make anyone compare to these two.
ODUMODUBLVCK, “Not All That”
Few MCs have a more distinctive aesthetic as ODUMODUBLVCK, and in this latest single he ramps the energy up to the maximum, delivering a relentless series of verses that overflow with self-confidence, both listing his co-signs — Burna Boy, Skepta, Wizkid, Davido, Stormzy and Olamide all get name checked — and comparing himself to a reincarnated Tupac, while celebrating his wins over the past few years since he exploded on to the scene, like his two Headies Awards and “22 weeks on the Billboard charts.” If he’s talking about his breakout hit “DECLAN RICE,” it was actually 27 weeks on U.S. Afrobeats Songs, but after a while, it’s got to be hard to keep track. This song is a deserved victory lap.
Olamide, Fireboy DML & Asake, “Uptown Disco”
The YBNL boys join forces again for this posse cut off label boss Olamide’s latest EP, Ikigai / (生き甲斐), Vol. 1, which, while certainly not a disco groove, pulses with electricity regardless. Fireboy sets the tone and helms the first verse and trades on and off with Olamide for the hook, before deferring to the latter for the second verse, as the two effortlessly slip in and out of languages and sports references. Asake brings the track home, putting an exclamation point on one of the only songs that features all three artists
Spinall feat. Tyla & Omah Lay, “One Call”
Spinall has been one of the most consistently great DJs/producers in West Africa over the past several years, and here he brings together stalwart Omah Lay with one of the brightest lights of the past 18 months in Tyla for an infectious and sultry track, with Tyla in particular providing an irresistible contribution. The production grows along with the song, bringing it to a collaborative finale, and making it one of the best tracks of the month.
Rema, “YAYO”
Rema’s HEIS album represents a step forward in the young singer’s career as he continues to progress beyond the astronomical success of “Calm Down.” With “YAYO,” he delivers a frenetic track that ripples with energy, with a blistering hook that provides the only half-second break in the whole song — and a burst of melody that feels at once surprising and infectious.
Boj feat. Victony, “Pressure”
This silky cut from Boj’s excellent new album 12 Summers represents another palette on which crooner Victony can paint, as he comes through with his distinctive voice to take over the track with a verse that brings his mind to the gutter. Which is not to say that Boj himself is lacking on the track, a standout on his collab-filled project — his vocal is the steady counterpoint, the tamer side of the human spirit that helps make the song whole, a great late-night single.
BOJ ’12 Summers’
Courtesy Photo
