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At Death’s Door is a 2025 independent horror anthology film directed and written by indie rock musician and filmmaker Frank Palangi. Adapted from author Christopher Pelton’s short story collection Toe in the Water, the movie explores four spine-tingling tales illustrating how ordinary, everyday choices can bring unsuspecting characters face-to-face with their own mortality. The twisty, atmospheric narrative features a diverse indie ensemble—including Palangi himself as a radio host and psychic medium debating the afterlife—and is recognized for delivering authentic, practical-effect-driven tension on a low budget. Following its initial theatrical screening at the Strand Theatre in Hudson Falls, New York, the film achieved significant streaming success within the indie horror community. Viewers looking to brave its chilling segments can stream At Death’s Door for free online on Tubi.
Human Hibachi 3: The Last Supper is a 2026 transgressive found-footage horror film written and directed by independent filmmaker Mario Cerrito. Serving as the definitive final chapter of his cult-classic cannibal franchise, the movie follows a man suffering from hyper-religiosity who leads a group of devout cult followers. Together, they partake in a ritualistic “last supper” where sacrificed humans are prepared as the main course. Recognized as Cerrito’s most ambitious project in the series, the film dials up the extreme gore and boasts appearances from legendary horror icons Debbie Rochon and Troma Entertainment founder Lloyd Kaufman. After premiering on specialized platforms like Found TV and Troma Now!, genre fans looking for extreme indie horror can now stream Human Hibachi 3 for free on Tubi
Autonomous is a 2026 ground-breaking, short-form horror thriller series streaming exclusively on the mobile-native independent horror platform, Screamify. Produced by Big Squid Productions, directed by Kyle Valle, and co-produced by and starring Erin Áine alongside Domenic Jungling, it serves as the debut title for the platform’s innovative Micro Horrors™ initiative. Shot entirely in a 9:16 vertical format tailored specifically for phone viewing, the claustrophobic plot follows Amy and Derek, a bickering couple who step into a self-driving GOMO ride-share car for a late-night trip home. The routine commute quickly devolves into a technological nightmare when the vehicle’s app glitches, the controls disappear, the doors lock, and the autonomous machine silently reroutes them into unfamiliar, terrifying territory. Spanning 16 short episodes designed to play as one continuous, relentless ride, the production achieved unparalleled realism by bypassing traditional studio sets and filming entirely inside a real, operating driverless vehicle on public roads.
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Last Hit is a 2026 high-stakes action heist thriller directed, produced, and lensed by independent filmmaker and Rad Cine CEO David “Mitch” Parks. Channeled through the gritty, high-octane lens of late-1980s and early-1990s action cinema, the film’s screenplay—penned by Ovsanna Yepremyan and Anthony Leone—unfolds a tense, bullet-riddled narrative centered around a dangerous underworld operation. The film stars genre veteran Mike Ferguson alongside Twana Barnett and Maya Vincent, utilizing stylized practical effects and intense, dark close-quarters choreography. Following a highly anticipated red-carpet premiere, Last Hit secured independent distribution and is widely available for genre enthusiasts to stream digitally on major home entertainment platforms, including Amazon Prime Video and Apple TV
Alien Storm is a 2026 claustrophobic sci-fi horror thriller produced by independent genre powerhouse Mahal Empire and directed by Adam Werth. Penned by the writing duo Michael and Sonny Mahal alongside Werth, the narrative follows a wealthy businessman and secret doomsday prepper named Frank McConnelly who is throwing a lavish party at his Las Vegas mansion to celebrate taking his company public. The celebration takes a terrifying turn when a presidential address warns the nation of a bizarre weather anomaly cutting off global communications. As a thick, ominous fog rolls in and the power fails, Frank herds his guests into his massive underground bunker, only to discover that they have trapped themselves inside with a hungry, extraterrestrial presence lurking in the mist. Featuring a star-studded B-movie ensemble including Kevin Sorbo, Tom Arnold, Glenn Plummer, Dawna Lee Heising, and WWE legends D-Lo Brown and The Godfather, the suspenseful film is available for digital pre-order on Apple TV ahead of its official global premiere on July 21, 2026
Susurrus is a 2025 one-hour independent experimental horror film executive produced by Michael Kenworthy and written, directed, and scored by the enigmatic multi-hyphenate filmmaker known as Ten-Headed Skeleton. Inspired by the unsettling internet lore of the “Backrooms”, the film centers on a group of women—played by an indie ensemble including Lynne Pham, Moriah Sittner, and Tatiana Lombardo—who enter entirely different buildings only to find themselves trapped together inside the same vast, shifting, and empty monolithic structure. Rather than relying on conventional jump-scares, Kenworthy and Ten-Headed Skeleton build a surreal multiverse nightmare filled with uncanny doppelgängers, infinite loops, and reality fractures where characters are inexplicably cast across parallel worlds. Stylistically drawing heavy influence from the patient, atmospheric filmmaking of David Lynch, Béla Tarr, and Andrei Tarkovsky, the movie is shot almost entirely in long, wide, and mesmerizing compositions that invite the audience into a liminal space of existential dread. Genre enthusiasts looking to immerse themselves in this glacial psychological puzzle can stream the movie directly on the director’s official YouTube Channel
Sorority of the Damned is a 2025 independent supernatural horror-comedy film co-directed by Roy Knyrim and Stranger Things alumnus Joe Davison, who also wrote and stars in the project. The film follow Trevor Harmony (Davison), an inept college handyman who unexpectedly discovers he is the latest descendant in a 275-year-old lineage of legendary demon hunters. When a religious zealot house mother—played by horror icon Felissa Rose—unwittingly opens a portal to Hell and unleashes ancient coven spirits that possess the college sisters, Trevor must embrace his magical birthright to stop the elemental witches from destroying the world. Infused with 1980s-style sex comedy gags, Full Moon-inspired creature designs, and standout physical effects—including an extended, practical-suit-driven showdown involving a golem and a “chode troll”—the film delivers a wildly campy throwback to retro indie horror. Distributed globally by Leomark Studios, genre fans can watch Sorority of the Damned for free on Tubi or rent it digitally through Amazon Prime Video.
Last Look is an upcoming indie found-footage horror film produced by Floating Rock Productions and directed by A.J. Bennett in his feature directorial debut. Described as a terrifying blend of Jumanji and Paranormal Activity, the narrative follows a high-profile social media influencer who discovers a mysterious deck of battle-style collectible cards. What starts as a curious curiosity quickly turns his local sanctuary into a hellish hunting ground where every card drawn summons a grotesque new creature into reality, forcing him to document his survival for an audience that cannot look away. Produced by Eric Martinez and Curt Fulster, the film features cameos from real-life internet influencers and a special appearance by The Blair Witch Project co-director Eduardo Sanchez, anchoring its gritty, authentic found-footage style.
Lady in the Urn is a 2025 micro-budget indie supernatural horror thriller directed, written, and shot by Kevin Van Stevenson. Distributed by Cinema Epoch, the narrative blends psychological suspense with a slow-burn haunting, tracking a married couple, Sharon (Hanna Mandel) and Niv (Andrew Chen), as they return from her mother Sylvia’s funeral with her cremated remains. The atmosphere quickly turns oppressive when unexplained noises, bizarre visions, and an odd neighbor trigger Sharon into a breakdown, leaving her convinced that her mother’s vengeful spirit has trapped them in their own home. Produced by Gregory Hatanaka and Chris Spinelli, the film dials back traditional jump-scares in favor of controlled, minimal-location dread, ultimately mapping the terrifying convergence between unresolved family grief and a dark, unsolved murder.
The Hoodoos is a 2026 supernatural indie horror-comedy directed by Jonathan Walter and written by Sean-Michael Argo. Striking a frantic balance between a high-stakes crime caper and intense Vodoun dread, the film tracks a top-tier Louisiana heist crew recruited by a elusive crime lord known as “The Captain”. Their mission seems simple: break into an abandoned plantation deep in the Teche bayou to steal 5,000 cursed Confederate gold coins. Because the treasure is locked away by lethal, ancient magic, the crew drags along Hatch (Sean-Michael Argo), a low-rent voodoo internet influencer. Once they breach the grounds, the heist quickly devolves into a bloody fight for survival when seven handmade, malevolent voodoo dolls awaken to hunt down each crew member. Praised for its atmospheric, humid Southern wetland setting and reliance on grotesque, handmade practical effects over CGI, the movie stars Ashton Leigh, B. Dave Walters, and Celeste Blandon.
