September is almost halfway over, but Shudder’s 61 Days of Halloween has only just begun. The all-horror/thriller streaming platform has curated a haunted host of horrors for those of us who live spooky season all year around, but go extra hard from September 1st to October 31st.
Next month is no different with the streamer creating a curated Dario Argento Collection as well as The House of Psychotic Women which features some of our favorite unhinged femme fatales.
Take a look at the full list of October releases below, and refresh your memory with this month’s schedule by CLICKING HERE.
What’s New on Shudder in October 2022!
Queer for Fear: The History of Queer Horror: Queer for Fear is a four-part documentary series from executive producer Bryan Fuller (Hannibal) and Steak House (Launchpad) about the history of the LGBTQ+ community in the horror and thriller genres. From its literary origins with queer authors Mary Shelley, Bram Stoker, and Oscar Wilde to the pansy craze of the 1920s that influenced Universal Monsters and Hitchcock, through the “lavender scare” alien invasion films of the mid-20th century and the AIDS obsessed bloodletting of 80s vampire films, Queer for Fear re-examines genre stories through a queer lens, seeing them not as violent, murderous narratives, but as tales of survival that resonate thematically with queer audiences everywhere. New episodes every Friday through October!
May: Nobody knows what to make of May (Angela Bettis). Born with a lazy eye, for which she wore a patch while growing up, she became a loner oddball whose only friend was a perfectly kept doll. She moves to L.A. and takes up with a filmmaker (Jeremy Sisto), but the relationship sours quickly — and dangerously. She then befriends an alluring lesbian colleague (Anna Faris), but that, too, along with every connection May attempts to make, turns deadly.
The Descent: One year after a tragic accident, six girlfriends meet in a remote part of the Appalachians for their annual caving trip. When a rock falls and blocks their route back to the surface, the group splinters and each one pushes on, praying for another exit. But there is something else lurking under the earth – a race of monstrous humanoid creatures that have adapted perfectly to life in the dark. As the friends realize they are now prey, they are forced to unleash their most primal instincts in an all-out war against an unspeakable horror. Neil Marshall’s relentless, claustrophobic creature feature proves one of the truly scary films of the 21st century and is rightly regarded as essential.
The Descent Part 2: Distraught, confused, and half-wild with fear, Sarah Carter emerges alone from the Appalachian cave system where she encountered unspeakable terrors.
The Gate: When two boys accidentally dig up the gates of Hell and summon an army of tiny demons, they have to work fast to stop the demons from turning them into human sacrifices, or a big bad demon king will soon be slithering through the gate to take over the world. Starring a young Stephen Dorff (Blade).
The Collingswood Story: Young couple Rebecca and John attempt to keep their long-distance relationship alive via video chatting. However, a chance encounter with an online psychic plunges their lives into a world of nightmarish supernatural phenomenon.
Dark Night of the Scarecrow: When young Marylee Williams is found viciously mauled, all hell breaks loose in her small rural town. A gang of bigots pursue a suspect: her mentally challenged friend Bubba Ritter.
The Other Side of the Underneath: In 1972, screenwriter/feminist/radical theater icon Jane Arden adapted her own multimedia stage production “A New Communion for Freaks, Prophets and Witches” into a nightmarish exploration of reason, chaos, and her own battles with mental illness unlike anything audiences have seen before or since.
I Like Bats: Katarzyna Walter stars as a happily single vampire who works in her aunt’s curio shop when not feeding on various suitors and sleazebags. But when she falls for a handsome psychiatrist, she’ll discover that no affliction is more horrific than love. It combines splashes of absurdist black comedy with jolts of old-school gothic horror for a slyly contemporary take on the female bloodsucker mythos.
Footprints: In the most criminally underseen giallo of the ‘70s, Florinda Bolkan (A Lizard In A Woman’s Skin, Flavia The Heretic) stars as a freelance translator who wakes one morning missing all memory of her past three days. But will a trail of odd clues lead her to a place where perception and identity are never what they seem? Directed by Luigi Bazzoni (The Fifth Cord) with cinematography by three-time Oscar®-winner Vittorio Storaro (The Bird with The Crystal Plumage).
The Rats are Coming! The Werewolves are Here!: The Mooney’s are a typical English family, except for one tiny detail… they’re all werewolves. One member of the family is of a mind to change their legacy, which stirs up family drama of the worst kind. The second of gutter auteur Andy Milligan’s productions made in England, this werewolf family saga is filled with the bitter worldview and confrontational hysteria Milligan is known for.
Deadstream: A disgraced and demonetized Internet personality (Joseph Winter) tries to win back his fans by live streaming himself, spending a night alone in an abandoned haunted house. However, when he accidentally unleashes a vengeful spirit, his big comeback event becomes a real-time fight for his life (and social relevance) as he faces off with the sinister spirit of the house and her powerful following. Deadstream stars Joseph Winter, who wrote and directed the film with Vanessa Winter. (A Shudder Original)
Opera: A stalker torments an opera star by forcing her to watch her friends being murdered in one of giallo horror god Dario Argento’s most terrifying films. When young operetta Betty is thrust into a leading role in Verdi’s Macbeth, she’s unprepared for the carnage that’s going to be unleashed. Soon enough she’s being stalked by a black-gloved killer who loves tying Betty up and taping needles around her eyes so she – and by extension us – are forced to watch the vicious slayings. The great Brian Eno and Goblin’s Claudio Simonetti composed the stellar score.
The Stendhal Syndrome: A detective suffers strange hallucinations while hunting a serial killer in Dario Argento’s bone-chilling ‘90s masterpiece. Anna (Asia Argento) is on the trail of a psycho when she experiences Stendhal syndrome, a condition that causes people to become overwhelmed by works of art to the point of psychosis. But when the killer kidnaps and rapes her, it begins a process that threatens all who cross Anna’s path. Using CGI to bring Anna’s artistic hallucinations to life, Argento crafts a brutal yet visually stunning thriller that stands on par with his classics.
Identikit: In what remains the most obscure, bizarre, and wildly misunderstood film of her entire career – and perhaps even ‘70s Italian cinema – Elizabeth Taylor stars as a disturbed woman who arrives in Rome to find a city fragmented by autocratic law, leftist violence, and her own increasingly unhinged mission to find the most dangerous liaison of all. Academy Award® nominee Ian Bannen (The Offence), Mona Washbourne (The Collector) and Andy Warhol co-star in this “unique, hallucinatory neo noir” (Cult Film Freaks) – barely released in America as The Driver’s Seat – directed by Giuseppe Patroni Griffi (‘Tis Pity She’s A Whore), adapted from the unnerving novella by Muriel Spark (The Prime Of Miss Jean Brodie) and featuring cinematography by three-time Oscar® winner Vittorio Storaro (Apocalypse Now, The Last Emperor).
Dragula Season 1: The Boulet Brothers host a competition of drag performers who don’t just push the envelope – they hew it up and spit it out. With themes like Zombie and challenges like being buried alive, this ain’t your momma’s drag competition. Joining seasons 2, 3 and 4 and ahead of the upcoming Titans spin off exclusively on Shudder, revisit the first season of the Boulet Brothers’ beloved groundbreaking drag-horror competition.
Lux Aeterna: Béatrice Dalle and Charlotte Gainsbourg are on a film set telling stories about witches. Technical problems and psychotic outbreak gradually plunge the shoot into chaos. Written and directed by Gaspar Noé.
Dark Glasses: In Dark Glasses, an eclipse blackens the skies on a hot summer day in Rome – a harbinger of the darkness that will envelop Diana (Ilenia Pastorelli) when a serial killer chooses her as prey. Fleeing her predator, the young escort crashes her car and loses her sight. She emerges from the initial shock determined to fight for her life, but she is no longer alone. Defending her and acting as her eyes is a little boy, Chin (Andrea Zhang), who survived the car accident. But the killer won’t give up his victim. Who will be saved? The long-awaited return from Italian master of horror and acclaimed writer-director Dario Argento, the film stars Ilenia Pastorelli, Asia Argento and Andrea Zhang. Beginning Friday, October 7, Dark Glasses will debut at the IFC Center in New York and at the Laemmle Glendale in Los Angeles, ahead of the film’s streaming debut on Thursday, October 13.Additional theaters, to be announced later, will follow beginning Friday, October 14. (A Shudder Original)
She Will: After a double mastectomy, Veronica Ghent (Alice Krige), goes to a healing retreat in rural Scotland with her young nurse Desi (Kota Eberhardt). She discovers that the process of such surgery opens questions about her very existence, leading her to start to question and confront past traumas. The two develop an unlikely bond as mysterious forces give Veronica the power to enact revenge within her dreams. Also starring Malcolm McDowell, Jonathan Aris, Rupert Everett, and Olwen Fouéré. Directed by Charlotte Colbert. (A Shudder Exclusive)
V/H/S/99: V/H/S/99 marks the return of the acclaimed found footage anthology franchise and the sequel to Shudder’s most-watched premiere of 2021. A thirsty teenager’s home video leads to a series of horrifying revelations. Featuring five new stories from filmmakers Maggie Levin (Into The Dark: My Valentine), Johannes Roberts (47 Meters Down, Resident Evil: Welcome To Raccoon City), Flying Lotus (Kuso), Tyler MacIntyre (Tragedy Girls) and Joseph & Vanessa Winter (Deadstream), V/H/S/99 harkens back to the final punk rock analog days of VHS, while taking one giant leap forward into the hellish new millennium. (A Shudder Original)
Joe Bob’s Haunted Halloween Hangout: For his fourth Halloween special on Shudder, the World’s Foremost Drive-In Movie Critic leaves no plastic skull, fake spider, or foam tombstone behind in his mission to celebrate the Samhain season the RIGHT way for once! Leaving nothing to chance, Joe Bob and Darcy enlist the help of a special surprise guest.
Manhattan Baby: In Lucio Fulci’s chilling follow-up to The New York Ripper, an evil Egyptian entity possesses the young daughter of an archaeologist. When Susie returns home, she and her brother Tommy start behaving badly, and visitors to their room begin turning up dead. Can Susie’s parents stop the entity from destroying her? Or is it already too late? Borrowing elements from Rosemary’s Baby, The Exorcist and Poltergeist, Fulci crafts a surprisingly gore-free ghost story that favors suspense over gruesome kills. The opening sequence ranks among the director’s best work.
Demonia: In what fans consider his last great film, Godfather of Gore Lucio Fulci returns to the startling imagery and bloody excesses of his ‘70s/‘80s classics for an unholy saga of demonic nuns and supernatural carnage: When a Canadian archeological team excavates the ruins of a medieval Sicilian monastery, they unleash the vengeance of a crucified coven of satanic sisters with full-on Fulci fury.
Aenigma: For his final horror hit of the ‘80s, writer/director Lucio Fulci combined elements of Carrie, Phenomena, and Suspiria with the grisly surrealism of his own past classics for one last shocker: When a bullied student at a New England girls school becomes comatose after a prank gone wrong, her tormenters will suffer graphic telepathic punishment that includes the infamous ‘death by snails’ scene.
Fulci for Fake: He was known as The Maestro of Splatter, but who was the real Lucio Fulci? Through never-before-seen home movies, rare behind-the-scenes footage from his classic films, audio confessions from Fulci himself and revealing interviews, writer/director Simone Scafidi creates an unflinching portrait of the one of the most visceral, controversial, and immortal horror filmmakers of all time.
The Boulet Brothers Dragula: Titans: Hosted and created by the Boulet Brothers, “The Boulet Brothers’ Dragula: Titans” is a ten-episode spin-off series starring some of the most popular drag icons from the show’s previous seasons competing in a grand championship of drag artistry and shocking physical challenges for a one hundred-thousand-dollar grand prize, the headlining spot on the upcoming world tour and the first ever “Dragula Titans” crown and title. Guest Judges include Elvira, Harvey Guillen, Justin Simien, David Dastmalchian, Poppy, Alaska, Katya, Joe Bob Briggs, Bonnie Aarons, Barbara Crampton, and more to be announced later. Exclusively on Shudder!
Resurrection: Margaret’s life is in order. She is capable, disciplined, and successful. Everything is under control. That is, until David returns, carrying with him the horrors of Margaret’s past. Resurrection is directed by Andrew Semans, and stars Rebecca Hall and Tim Roth. (A Shudder Exclusive)